Nikon 28mm F 1 4

The most recent lenses in the f14 prime lineup such as the 28mm reviewed here are finally E-type with an electronically activated aperture. Its fast f14 maximum aperture produces outstanding evenly lit images with edge-to-edge sharpnessvirtually no sagittal coma or light falloff.

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The Nikkor AF-S 58mm f14G.

Nikon 28mm f 1 4. But over the last couple of days Ive been mulling whether I should do a technical comparison. Still it delivers great value when compared to the pricey 28mm f14E. Notice how the small amount of glass in this lens is way down at the bottom of a mostly air and plastic lens barrel.

In handling the 28mm f14E the autofocus is smooth and silent as one would expect from any contemporary Nikon lens. The older lens is made of 100 metal. At f14 the extreme corners of the lens are just over a.

This restricts their use to post D3D300 cameras which shouldnt be a problem for most of you full compatibility list at the end of this section. On a full-frame camera the Sigma 28mm f14 Art delivers a field-of-view thats 12 degrees wider than the standard 35mm lens 75 vs 63 degrees and 9 degrees narrower than from a 24mm lens. The Nikon 28mm f14E is one of my favourite lenses of any focal length from any manufacturer.

Unlike the Nikon 24mm f14G and its lighter counterpart the 28mm f18G the Nikon 28mm f14E does not have a mechanical lever on the back of the lens because it is an E type lens with an electronic diaphragm. The AF-S NIKKOR 28mm f14E ED contains two Extra-Low Dispersion glass elements that minimises prism-coloured dispersion and effectively reduces colour fringing caused by axial chromatic aberration. Contrast and micro-contrast are excellent.

The original Nikon 28mm f14 AF-D 1994-2006 is smaller lighter and much tougher but isnt quite as sharp wide-open and the older lens requires holding a button while you rotate a ring to switch between auto and manual focus. Again the Nikon 28mm f14E looks absolutely incredible in comparison. Its bright sharp and contrasty at every aperture from edge-to-edge with a minimum of distortion and coma and no ghosting of which to speak.

28mm f14 AF-D. Autofocus speed is similar to what we have seen on other prime lenses from Nikon so it is not as fast as what one normally experiences when shooting with pro-grade f28 lenses. I prefer the classic 2814D optically morally and mechanically.

Its even slightly better than the landmark 28mm f14 AF-D of 1993. The best overall performance for the 28mm f18G is at f4 and f56. Compared to the 2814D they are the same in the center at the same large apertures.

After three days I decided to pitch what I had already written into. The Nikon 28mm f14E does show signs of corner shading when the lens is used at its f14 aperture -- quite significant signs actually. While the Nikon 28mm f18G is of great value it does suffer from more noticeable field curvature and it also has focus shift issues.

The Nikon 24mm f14 AF-S is a spectacular lens for FX DX and 35mm film. Further utilising three aspherical lens elements helps to correct distortion ensuring that each and every shot is crisp and sharp. Everything works perfectly on every digital Nikon ever made both FX and DX from the best Df D4 D800 D800E D610 and D600 to Nikons cheapest digitals like the D40 D40x D60 D3000 D3100.

Nikon 58mm f14 The Unexpected Review. The 2814D is a bit sharper in the zonal region at the same large apertures while this 2818G is a little sharper in the far corners at large apertures. Originally this post was going to be a comparison between the Nikon D850 AF-S 28mm f14E vs Leica M10 28mm f14 Summilux-M ASPH.

The Nikon 28mm f14E comes with the latest version of the Silent Wave Motor SWM which does a superb job at quickly acquiring focus producing virtually no noise during autofocus operation. Nikon 58mm f14 G on a gold Nikon Df from a private collection. This is as close to perfect as any Nikon f14 lens has ever come.

Focusing manually the lens also feels good in hand. The Nikon 28mm f14 is a good choice for a wide angle lens that offers superior sharpness Nikon produces some of the worlds best photographic lenses and Nikon is renowned for the highest quality of manufacturing. It renders in both a sharp and smooth way and achieves the perfect balance between the two for environmental portraits and this is my main use for it.

Nikon Df 28mm f14E. When Nikon first announced their Nikkor 58mm f14 lens back in 2013 many were confused about the interesting choice in focal length and shocked by the initial 1700 USD sticker price note that street price is considerably less than this now. The Nikon 24mm f14G follows the footsteps of the legendary Nikon 28mm f14D lens which was known for its exceptional quality and sharp optics even at large apertures.

In terms of size the 28mm f14 is noticeably longer than its predecessor or the 35mm f14G. This review is based on actual use of both the 24mm and 28mm lenses -. Its unique design and rounded 9-blade diaphragm produce stunning bokeh and depth of field control from f14 to infinityequally useful in daytime portraits and nighttime cityscapes.

Nikon 28mm f14E f14 1320 ISO 1100. Use it on an APS-CDX crop sensor and the Sigma 28mm f14 Art delivers a field of view that is equivalent to a 42mm lens.